Nikon 35mm f/2D AF Wide-Angle

Most people believe that 35mm is the standard focal length for lenses although Nikon classifies those for lenses that have 50mm. Still, ordinary photographers would rather have a budget lens that is more versatile than a more expensive lens with more technologies, but more restricted for certain uses. This is why the Nikon 35mm f/2D AF Wide-Angle Lens gained a lot of attention compared to the rest of the wide-angle lenses available. This particular model may not be the newest lens currently available, but it still gets a lot of respect especially since the price continues to go down.


Nikon 35mm f/2D AF Wide-Angle Lens

Design & Construction

The design and construction of the Nikon 35mm f/2D AF Wide-Angle Lens meets the standard of the other screwdriver lens that most people had no problems with. Judging from the size alone, the Nikon 35mm f/2D AF Wide-Angle Lens ends up being a very lightweight lens that is ideal for any photographer that frequently travels. In terms of design, there is really nothing wrong with the lens even when pitted against the newer models released lately.

Actual user review:
“The 35mm f/2 AF is something of a hidden gem among Nikon lenses. It’s a moderate wide angle for 35mm film cameras and a 53mm-equivalent normal lens for APS-C format digital SLRs. Either way it’s a great lens to have. If you’re a traditionalist you will love it. Mounted on a DSLR it is just like owning a 35mm film camera with a 50mm lens. You may even wish to substitute the kit lens with one of these if you’re buying a D80 or D200. If you are really set on a normal DSLR lens the only real alternative to the Nikon 35mm f/2 is the Sigma 30mm f/1.4, which is one stop faster, but is also larger, heavier, more expensive and optically less good at f/2 and beyond. If you’re a technophile the Nikon 35mm is a little harder to justify. It is a plastic-barrelled fixed focal length lens with no SWM or VR. For a bit more money you can get the excellent Tamron SP 17-50mm f/2.8, which is just about as sharp and only one stop slower. For a lot more money you can get the vaunted Nikon 18-200mm f/3.5-5.6 VR. But the Nikon 35mm f/2 has a certain elegance to it nonetheless: it’s fast, sharp, lightweight, focuses down to a very close 25cm and is relatively inexpensive. It’s ideal for environments where you can move back and forth a bit to frame your subject and you don’t feel like carrying around a lot of heavy gear.” – M.Budimirovic (ON,Canada)

Features & Specifications

There are no real strong features of the Nikon 35mm f/2D AF Wide-Angle Lens, but what makes this a fantastic lens is that it doesn’t have any real bad qualities that may turn off some users. In fact, the only thing that most people found as a drawback is that the corners remain soft at f/2.0. But when it comes to everything else including the center sharpness, the Nikon 35mm f/2D AF Wide-Angle Lens is a great all-around performer that photographers can actually use no matter what model their Nikon DSLR is. It is also important to note that equipping a DSLR camera with this lens gives it the equivalent of a film camera with a 52mm lens.

It is a great camera lens for hand-held shooting as well as low-light shooting and a lot people experienced good results when taking photos indoors. The color accuracy and contrast also stays on the fine line throughout the range too.

Resolution starts very good in standard aperture settings and can go as high as excellent quality when medium aperture settings are used. VIgnetting is also lower when larger apertures are used and the barrel distortion comfortably stays at medium-low. The auto-focusing is also quite fast and close focusing is supported to make some cool close-up photos.

Bottom Line

The Nikon 35mm f/2D AF Wide-Angle Lens isn’t the sturdiest lens when it comes to design, but it remains as a good lightweight accessory that anyone can take with them. It is fully complete when it comes to basic features and the drawbacks and weaknesses aren’t so many compared to the other wide-angle lenses. There are also plenty of workarounds with its limitations because of the different aperture settings that can be used. All kinds of photographers will definitely find a couple of good uses for these lenses as the image quality is decent and range remains versatile.

Average User Rating:

  • “I purchased this lens to use on my Nikon D300. On the D300 this lens gives a standard field of view close to 50mm. It is light weight and made of plastic and easy to keep in a vest pocket. Center sharpness is good, edge sharpness is not as good wide open. The construction is not professional grade; however, I’ve used it quite a bit and it seems to be okay in every situation I’ve tried. Autofocus speed is good and quiet. The manual focus mechanism is smooth and acceptable. Bokeh is acceptable but nothing dramatic. It has a manual aperture adjustment ring and ring lock. I’ve also tried this lens on my Canon bodies using an adapter. On a full frame body this lens is fairly sharp wide open and vignetting is well controlled, so if you own a Nikon D3, it should work fine. I did notice a bit of corner softness on the full frame bodies. It also has mild chromatic aberration on the edges, but not excessive. For the price, it’s a good prime lens and will give you as good a result as any zoom lens at 35mm. If you need better optics, you’ll have to spend quite a bit more, but shooting as a professional photographer, I’d have no qualms taking this lens to any job that required this focal length.” – G.Gray
  • “My best lens by far. Great IQ, light and not too expensive. The focal length is more usable than the 50mm 1.8 (also great) and the build quality is better. I mainly use mine for portraits at f2.8. At f2 it’s a tiny bit soft but at 2.8 it’s perfect. I have taken some brilliant pics with it. You will not regret this buy.” – Phil (UK)

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